My upcoming novel, Still Life, took 33 years to write. That’s not a typo. With half a dozen published novels already behind me, my average time from concept to conclusion was about two years—one year for a first draft, another year for a bunch more drafts. So what the hell happened this time? In a previous century, in the year 1992, I wrote a short story titled “The Painter’s Son,” in which an...
Like all types of sonnets, a Petrarchan sonnet is fourteen lines. It is sometimes called an Italian sonnet, and it has a specific rhyming pattern and two distinct halves. The first half is an octet (eight lines); the second half is a sestet (six lines). The octet establishes an initial idea, problem, or emotional state, and the sestet responds to it. The liminal space between the first and second...
Jane is an emergency room physician. She helps deliver a preterm infant whose addicted mother comes into the hospital totally high, in severe pain, and unaware she’s in labor. Even though Jane acts heroically to save the lives of mother and baby, the situation weighs on her. She’s overworked, just over thirty years old, in an uncertain relationship with Vincent, and hopes to have a baby of her...
Lyrics: KleinMusic: Aronowitz Coming Over Coming over to your placeWhatever the consequenceCan’t wait a minute longerSitting on this fence Coming over to your placeUnder a clever pretenseMight have left my life thereUnless that’s too intense What happened to our special daysEach passed in luminanceSaid we’re meant for each otherOr was that just coincidence Coming over to your place, whatever the...
I’ve been enjoying the highly structured form of poetry called the Villanelle. Here’s a new entry. You can also read Villanelle #1 and Villanelle #2. My desire is to plant one more treeAn oak or maple that adds a ring each yearThough under its shade I will never be For my children and theirs I bequest tenderlyA vibrant magnolia or dogwood souvenirMy desire is to plant one more tree...
As I wrote in my previous post, Villanelle #1, a villanelle poem adheres to a strict form. It comprises nineteen lines—five tercets of three lines each, and one four-line quatrain at the end. There is a fixed rhyming pattern, and the first and third lines of the opening tercet are called the refrain and are repeated alternately in the last lines of the succeeding stanzas. In the final stanza, the...
A while ago I wrote lyrics for a friend of mine who’s a singer-songwriter and I’m back at it. The timing is right because I’ve become interested in the most rudimentary element of poetry and lyrics: rhyming schemes. I’ve been spending way too much time playing with language and experimenting with rhyming patterns and how they shape–and are shaped by–theme and...
I’ve recently paid attention to the sonnet form of poetry, and even wrote a modest entry of my own. Now I’ve been studying the villanelle. Like a sonnet, a villanelle follows a defined structural form, and therein lies my interest, which is why I’ve been drawn to Pecha Kucha. As a novelist, I have a lot of creative license with form: you can do anything you want, as long as you keep the reader...
I had the honor and pleasure last night of being one of eight presenters at Pecha Kucha night hosted by the Opalka Gallery at Sage College. Pecha Kucha is a unique and fascinating presentation format. Every presenter works within the same structure. You get 20 slides, each slide stays on screen for 20 seconds and then automatically advances to the next. You get exactly 6:40 to present (20 slides...
The love triangle is a classic narrative device in literature and film. It has been used throughout storytelling history, serving as the structural foundation for prize-winning literature, genre novels, classic films, and B-movies. The love triangle comes pre-baked with powerful story elements such as complex human emotions, moral dilemmas, and social dynamics. Inevitably, there’s one character...
In Ernest Hemingway’s first published novel, “The Sun Also Rises,” there’s a brief exchange of dialog between two minor characters when one asks the other how he went bankrupt. “Two ways,” Mike said. “Gradually and then suddenly.” That quote resonated with me because it’s the way I stopped writing: gradually and then suddenly. I haven’t written a blog post in over a month. I used to write ten or...
It doesn’t happen nearly often enough, in fact hardly ever, but it happened twice in one week, and I admit I feel damn good about it. First, I got a letter (actual handwriting, ink on paper, delivered to my mailbox) from a reader who said great things about my novel In Flight. “The mystery of what happened when Robert was in the fugue state made it a real page turner . . . I’d be reading along...
Readers bring their own expectations and perceptions to a reading experience, and may interpret or connect with a novel in ways an author had never considered. Maybe they see a character trait or motivation that the author didn’t consciously write. Or they find a different meaning in a crucial plot point than the author intended. I’m fascinated when this happens because it reinforces the dynamic...
You might have started out with enthusiasm and a vision. With a spark of an idea, a single word, a sentence that intrigued you, an unusual character trait—and you’re off and running. And then at some point you realize you’re running in the dark, taking a wrong turn, smacking into a wall. It happens to every writer, whether you’re working on song lyrics, composing a poem, or writing a short story...
Last weekend at the Albany Book Festival my table was next to the Adirondack Center for Writing table. It’s an organization that’s building a community of writers and readers in the Adirondacks region, offering classes, workshops, events, and more for writers of all ages. They had one of those old-fashioned gumball machines at their table, this one offering (for a free turn of the handle)...
