I have set myself a task for 2020: reread the ten most important books in my life. To qualify for the list, the novel (or novella or short story collections; I’m including those also), must meet one or more of the following criteria:
- It was so profound and meaningful to me that I’ve read the novel multiple times.
- It significantly influenced my own development as a novelist.
- The experience of reading the novel is inexorably linked to and illuminates a moment or period of time in my life.
It’s going to be challenging to pick the ten books. I’m not concerned that I’ve forgotten any important book, because if I have, then that book by definition wouldn’t qualify for the list. I’ve started with 25 titles, from which I must cull down to ten.
Why am I doing this? I’m interested in how the passage of time and accumulation of life experiences have changed how I feel about a book that I once placed on a high pedestal. Has the book stood the test of time? Have I? What’s changed?
For now, I’m listing my initial list of 25, in no particular order, and without explanation. When I get down to ten, I will provide context as to why I chose each one to read again.
UPDATE: I’ve re-read some on this list of 25 and updated their status below
UPDATE 2: I may not get the list narrowed to ten, but am offering reviews of those I have re-read.
- THE WORLD ACCORDING TO GARP, John Irving. Prob won’t crack top ten. I think I liked THE CIDER HOUSE RULES and A PRAYER FOR OWEN MEANY better.
- AMERICAN PASTORAL, Philip Roth
- SELF-HELP, Lorrie Moore
- A FARWELL TO ARMS, Ernest Hemingway
- A VISIT FROM THE GOON SQUAD, Jennifer Egan
- THE SLAP, Christos Tsiolkas
- THE EXORCIST, William Peter Blatty. Quite a read, but may not belong on the list.
- DUNE, Frank Herbert
- CAT’S EYE, Margaret Atwood
- THE UNBEARABLE LIGHTNESS OF BEING, Milan Kundera
- THE ROAD, Cormac McCarthy
- IN THE GARDEN OF NORTH AMERICAN MARTYRS, Tobia Wolff
- LITTLE CHILDREN, Tom Perrotta
- SMILES ON WASHINGTON SQUARE, Raymond Federman. My introduction to experimental fiction. Belongs on this list.
- 10:30 ON A SUMMER NIGHT, Marguerite Duras. Off the list, didn’t stand the test of time. Pretentious, obtuse, overwritten.
- THE CATCHER IN THE RYE, J.D. Salinger
- A PALE VIEW OF THE HILLS, Kazuo Ishiguro
- LOVE IN THE TIME OF CHOLERA, Gabriel Garcia Marquez. Likely top ten. It’s the writing, stupid. Many have imitated, but there’s only one GGM.
- BELLEFLEUR, Joyce Carol Oates
- THE HOURS, Michael Cunningham. Top ten. A pattern here: it’s the writing. And the structure.
- LEGENDS OF THE FALL, Jim Harrison. Specifically, the novella “The Man Who Gave Up His Name.” Grandfathered onto this list.
- THE THINGS THEY CARRIED, Tim O’Brien
- MARIETTE IN ECSTASY, Ron Hansen. Likely top ten. The writing and language is incredible. The setting of the convent like another world.
- THE ACCOMPLICES, Georges Simenon. Certainly not a great novel, but it is a short, fascinating character study that made a strong impression on me.
- WHAT WE TALK ABOUT WHEN WE TALK ABOUT LOVE, Raymond Carver